The Eurovision music video was one of the most dynamic projects I’ve worked on, bringing together multiple artists across various locations. With such a diverse production, several FPV pilots were involved, each capturing different segments of the video. My role was to film the Sheperd’s Bush location, focusing on none other than Central Cee, when he raps in the 3rd verse of the video clip.
Interestingly, when French director William Thomas first contacted me, he didn’t mention that I’d be filming Central Cee. He was simply looking for FPV pilots in London, and it wasn’t until I arrived on set that I realized who the focus of my shots would be. Let’s just say it was a pleasant surprise.
Central Cee’s verse in Eurovision is full of introspection and self-assurance, balancing themes of success, loyalty, and navigating life in the public eye. Lines like “I’m tryna get money and stay out the way, low-key, but I’m stuck in the public eye” resonated with the visuals we were capturing. My FPV shots aimed to reflect that duality—showcasing his sharp, commanding presence while adding a sense of fluidity and movement to highlight the “low-key” vibe he mentions.
Working in Sheperd’s Bush brought its own challenges. The location was bustling with activity, but that energy matched the rhythm of the track. As Central Cee delivered lines like “It’s time that I put on the guys, feels a bit weird when I put on my ice,” I tried with the drone to emphasize his connection to the streets while elevating the visual story with dynamic motion from top of the building.
William Thomas had a vision for the video – raw, energetic, and visually diverse to complement the mix of artists and their unique styles – but it remained a chaotic experienceMy task was to seamlessly blend my drone’s perspective with the urban backdrop of Sheperd’s Bush real estate social houses where Central Cee grew up, capturing his crew in their element while adding an extra layer of intensity to the scene.
This project was not only about flying—it was about translating the energy of the music into visuals, creating a connection between Central Cee’s introspective lyrics and the fast-paced, high-stakes world he navigates. Being part of Eurovision was an incredible experience and a reminder of how FPV drones can transform a music video into a storytelling masterpiece.
